
2025 — The first U.S showing of a new work for movement, sculpture and live music — following its initial August showing in Italy at RUC, Brescia.
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2025 — The first U.S showing of a new work for movement, sculpture and live music — following its initial August showing in Italy at RUC, Brescia.

2025 — dimensions variable, digital print [original work / acrylic on paper]
2024 — Lili Maya + James Rouvelle collaboration.
A study for an in-progress project with organist Alexander Meszler. The sound is made with Kyma and a Buchla Easel.
Kyma features some very powerful Hidden Markov Model (HMM/Pattern Generation) functions that I’ve been studying and are a part of this project.
This project is a continuation of our performative works.
An aspect of our live performing is, of course, rehearsing. We usually discuss our process publicly by describing how we work together to coordinate different sections of sound/music/image, and then improvise our way into and out of these moments as we play. Another component of our work are visual scores that we create – typically very early in the development of the project. These scores aren’t in any specific language, nor do they use a set of predefined symbols. They are unique to each piece. We realized we’ve never spoken publicly about this part of our work before.
These scores, hypothetically, can be realized in various media and potentially by other artists.

2024 — dimensions variable — digital print [original work / pencil, thread on paper]
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2024 — Lili Maya + James Rouvelle collaboration.
Trace Reverb Trace is an installation with sound, realized on Governors Island, NYC during the 2024 Indeterminacy Festival. The project was created during our artist residency on the island and assisted by 4 emerging and 9 apprentice artists.
Sited in an abandoned home at 17 Nolan Park, and in acknowledgement of the technological history and largely built nature of Governors Island, Trace Reverb Trace envisions a self-sustaining artificial ecology independently reclaiming this built environment when the people have gone.
The sound was based on a 10 note scale (A Dekany derived from the research of Erv Wilson) whose root tone was the resonant frequency of the rooms where each array was installed. Each of the 42 speakers functioned independently and “chose” a pitch from the scale, an amplitude level, and duration based on environmental factors.
Artists Jonah Bowrie and Ben Munoz, who were emerging artists in this year’s festival and assisted us on our project, have an ongoing online work at fuit.es. Ben and Jonah incorporated content from Trace Reverb Trace into fuit.es. The page is here: fuit.es/trace-retrace and continues to grow and change in digital space.
Our emerging and apprentice Artists:
Derek Holland, Noelle Salaun, Jane Grabowski, Jonah Bowrie, Ben Munoz, Brayden Carr, Daniela Chapparo, Elliot Russell, Jude Markey-Smith, Trey Scantlen, Sam Douma, Thelonius Garcia, Ben Zucker.
This project was made possible by the generous support of the New York Arts Program (Emilie Clark, Director), and Stanzi Vaubel, Artistic Director and Founder of the Indeterminacy Festival.
Images: Bjorn Bolinder
@findthelightphotography IG
findthelightphotography.com